
影片详情
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly g
- 类型
- 剧情片
- 年份
- 2023
- 地区
- 土耳其
- 语言
- 土耳其语,英语
播放地址
《好像一切都很糟糕》选集
liangzi
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剧情资料
剧情简介
《好像一切都很糟糕》讲述的是什么故事?
《好像一切都很糟糕》Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
一、《好像一切都很糟糕》是哪一年上映的?
《好像一切都很糟糕》是乌穆特·苏巴西于2023年拍摄的一部经典剧情片。此片开创土耳其当代剧情片的先河,《好像一切都很糟糕》上映时票房稳坐前三,创下当年纪录。当时Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can Sevimli均为最佳主角,Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can Sevimli以精彩演技和突出形象,奠定在土耳其影坛地位。Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can Sevimli饰演角色造型多年后仍为人所模仿。乌穆特·苏巴西之前曾被人怀疑其能力,而《好像一切都很糟糕》却奠定乌穆特·苏巴西剧情片风格。《好像一切都很糟糕》首映时曾获海外剧情片和媒体广泛称誉,被认为其优秀程度,是足以与同时期(指2023年代)土耳其优秀剧情片齐名。
二、被称为剧情片的开先河之作的《好像一切都很糟糕》,是乌穆特·苏巴西最好的作品吗?
从乌穆特·苏巴西斩获剧情片最佳导演开始,很多观众就觉得这部《好像一切都很糟糕》是他极具代表性的剧情片。虽然乌穆特·苏巴西后来还拍出过评价很好的作品,但是《好像一切都很糟糕》依然常被认为是他剧情片创作中的重要代表。
三、《好像一切都很糟糕》为什么可以成为经典?
提起土耳其,不少观众都会想到《好像一切都很糟糕》的名字。这部由乌穆特·苏巴西导演,Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can Sevimli主演的《好像一切都很糟糕》,在当时凭借鲜明的人物塑造和紧凑的剧情片叙事获得了不错反响。正是人物命运、情绪推进和故事节奏之间的相互配合,让《好像一切都很糟糕》在同类型作品中具有较高辨识度,也让观众对其中的情节留下深刻印象。
四、如何评价《好像一切都很糟糕》?
《好像一切都很糟糕》口碑表现稳定,深受广大观众喜爱。不仅Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can Sevimli的表演有看点,而且该剧情片故事情节紧凑,宅宅电影网(soudedao.com.cn)观看起来流畅,同时还能保持较强的剧情吸引力。虽然不同观众对《好像一切都很糟糕》的评价各有侧重,但该片目前的受欢迎程度已经名列同类作品前茅。
五、《好像一切都很糟糕》剧情片的主要内容
《好像一切都很糟糕》是一部剧情片作品,由导演乌穆特·苏巴西执导,Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can Sevimli主演。影片围绕主要人物的经历展开,通过人物关系、情节推进和情绪变化,呈现出一段具有观看价值的剧情片故事。
《好像一切都很糟糕》Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster